• From Page to Stage: Ngugi wa Thiong’o’s Language of African Theatre Re-visited 

  Diang'a, Rachael (International Journal of Liberal Arts and Social Science, 2014)

  A play’s production team has the task of interpreting the dramatic text into a theatrical production. The director and his cast have to create semiotic codes by which to present to the audience their ...
• Community Theatre and Development Practices in the Nyanza Region of Kenya 

  Diang'a, Rachael; Kebaya, Charles (Journal of Pan-African Studies, 2015)

  Positing Community Theatre as a site and agency for development, an effective way to share information and encourage community dialogue, this paper interrogates practices and efficacies of Community Theatre in Nyanza, ...
• Cinematographic Techniques in Three Kenyan Films 

  Diang'a, Rachael (Journal of African Cinemas, 2015)

  This study investigates cinematography in Kenyan feature films from 1980 to 2010. Informed by Michael Rabiger’s (2008) view of film form as the manner in which content is presented, it is grounded on the assumption that ...
• Message films in Africa: A look into the past 

  Diang'a, Rachael (Cogent Arts & Humanities, 2016)

  Message Film-making has characterised much of films produced in post-independent Kenya. The country produced very few films in the 1980s, when indigenous film-making actually began to take root. Liberalisation of the ...
• Themes in Kenyan cinema: Seasons and reasons 

  Diang'a, Rachael (Cogent Arts & Humanities, 2017)

  This is a study of thematic dimensions taken by feature films produced in Kenya from 1963 to 2013. The rather expansive 50-year period is characterised by varied historical, economic, social and technological changes in ...

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